I’m thrilled to let you know that you can now preorder my second album “The Golden Morning Breaks”, my third album “Les Ondes Silencieuses” and the EP “Colleen et les Boîtes à Musique” for the first time on tape via Beacon Sound, either individually (100 copy limited edition) or in a package featuring an exclusive print by Iker Spozio (50 copy ultra limited edition). Beacon Sound reissued my first album on tape last year and the packaging is not only beautiful but also friendly to the earth, and the Iker Spozio print even more so (more info in the link above).
Important: 1) Please note this is a preorder, release date is 14th October for Cassette Store Day. 2) We advise European customers to order directly from my Bandcamp as we have a limited number of copies (15 of each) shipping from the UK . If you are based elsewhere please support Beacon Sound and order directly from them. 3) The print edition package is available only from the Beacon Sound shop.
And talking of these albums, The Leaf Label is also accepting preorders for a limited 300 copy run on black vinyl of those same albums that also got reissued on coloured vinyl earlier this year. A 4-album black vinyl bundle is also available. Release date is October 6th. Head over to my Bandcamp to preorder!
I’m also really excited to be playing Montreal and Toronto again after last year’s concerts! I’ll be at La Sala Rossa, Montreal, on 10th November with support by the great Khôra and Ylang Ylang, and Arraymusic (promoted by Invocation), Toronto, on 12th November, with support once again by Khôra. And remember that even if you were at one of the shows last year, this is an entirely new setup with brand new songs from the forthcoming album!
In live-related news, I’ve finally rough-rehearsed all of the songs on a temporary setup made up of my old Behringer UB1204PRO, a Line 6 DL4 Delay, TC Mini Hall of Fame reverb, and of course the two Critter and Guitari synths and the two Moogerfoogers.
There was a certain amount of troubleshooting-without-results involved (for instance not being able to use the beam-with-your-smartphone custom reverbs of the TC reverb), but the really positive thing is that I’ve finally learnt how to operate a mixing desk: so far I’d used the Behringer only for rehearsals on my studio PA and basically just connected the Stereo Outs of the last DL4 in my pedal chain to 2 mono channel strips and then applied my favorite pan, 50% Left / 50% Right. However, performing the new music involves using external effects , so I’ve finally learnt how to use Aux Sends, and not only that: I now understand what Pre-fader and Post-fader mean and do, and have also learnt how to use the desk’s spare inputs for the FX returns instead of the dedicated Stereo returns.
If you are still following what I’m saying and are also of the I-try-to-do-everything-on-my-own-without -any-training school, then you’ll probably know that there are few things more satisfying than finally understanding something you’ve wondered about for years, and being able to apply this newly acquired knowledge in a practical musical project. In any case, it’s time to upgrade to a better mixing desk: the one I’m going for is supposed to have better preamps, better EQ, and great internal FX, as well as multiple Aux Sends, so I just can’t wait to receive it and work on the new *real* setup for the shows, and of course I’ll be sure to update you on that, keeping a special thought for those of you who are also interested in the gear aspect.
As always thanks for reading!