colleen

KINGS PLACE, LONDON, 15 OCTOBER 2023
The UK is where I lived for more than 2 years of my young adulthood (1997-99: Winchester, Liverpool, Salford), it’s obviously very dear to me for musical reasons too, and the show at Kings Place last year cemented my decision to go back to live playing, so it felt tofally right to start the European leg of this tour there. Also, the beautiful symbol of playing in Salford at The White Hotel @m3_7lw , 2.4 miles from where I had moved 25 years previously, at a really rough point of my life, was not lost on me. 
So thank you so much to each and everyone of you who came to these 2 shows. Also please know that your kind words, the fact that some of you travelled to see these shows,  really means a lot to me. 
At Kings Place I was given the luxury of a long show with an interval and it makes so much sense to play the Jour and Nuit sides with a break in the middle. I was able to play “Mon coeur” for the first time (I’ve sacrificed it in the other shows because each movement is so complex to  set up, but so short!) , but I ended up not playing “Les parenthèses – Epilogue” because I didn’t see the song in my @squarpinstruments Hapax, and yet afterwards I realized it was there, I just needed to scroll up! Which gives me an opportunity to say how happy I am with it: it’s doing exactly what I needed it to do, and can do so much more! 

SILENT GREEN, BERLIN, 20th OCTOBER.
I have been happy at every single show of this tour so far, but some shows end up being more special than others, usually because of a combination of place, sound and audience: the show in Berlin @silent.green last week was one of these for me, I am still carrying its warmth within me.

AQUARIUM DRUNKARD TRANSMISSIONS PODCAST: INDEPTH INTERVIEW ON LE JOUR ET LA NUIT DU RÉEL + ESSENTIAL TREMORS PODCAST + HHV 10 FAV VINYL
It was my immense pleasure to speak to Jason Woodbury @aquariumdrunkard last month about the new album and go really deep and personal into the multifaceted concept behind it and the life events that have informed it. We ended up talking about online vs real life, night time, but also neurodegenerative disease, mental health and suicide. Having now relistened to the podcast, I’m relieved that it doesn’t actually sound grim – more like an opening up about the serious life stuff which can (and often does) end up affecting all of us.
When we spoke in 2021 about my previous album, The Tunnel and the Clearing, we had also gone into some very personal aspects of that album, and I am really grateful to Jason for creating a long form, safe space where his guests can explore this sort of themes at length, without this feeling at any point like a vacuous exercise in promotion.
If you want to know more about the album and are interested in perhaps listening to it in a different, deeper or complementary way, I really invite you to take some time and listen to the podcast in your favorite space, as I don’t think I’ll have many more opportunities to talk about this record in a deeper, more personal way.

I also got the chance to speak about 3 songs that powerfully impacted me at 3 stages of my young life (Lee Perry in early childhood, The Beatles in my early teens and This Heat in my late teens) for the brilliant Essential Tremors podcast. For family reasons, the past year has been full of revisiting my youth, which in turn has led to a reevaluation of what it is that has led me to making music and making it in the way I’ve made it.

In a similar spirit, but in writing this time, I was invited by HHV to talk about 10 vinyl that have shaped, improved and made me.

As always, thank you so much for your support and your time!!!

Le jour et la nuit du réel, my 8th album, was released on 22nd September, the day after I arrived in New York for what was my first real tour in 6 years. I didn’t have the time to post about it on this website, as updating with WordPress on a mobile phone is not the most convenient thing, and then I just got swept away by touring. Now I finally have a bit of time to sit down, only to leave again this Saturday for the first show of a European tour (all dates below) which will be spread over this fall, winter and spring 2024, so that my dear kitties Sol and Klee don’t suffer too much from my absence.

Remember that if you’d like more money to come to me and the label, then your best option is to order via the Thrill Jockey website, which can ship from Germany or the US (PLEASE DISREGARD THE UK SHIPPING MENTION, AS THIS IS A BUG THAT NEEDS TO BE SORTED ON THEIR WEBSITE: WE PROMISE YOU WILL GET YOUR RECORD FROM GERMANY, NOT THE UK!), and your second best option is to order via Bandcamp.

INTIMACY AND EXPANSIVENESS: LE JOUR ET LA NUIT DU RÉEL LIVE AT PUBLIC RECORDS, NYC, 22 SEPTEMBER 2023.
It is hard to put into words what this first US tour in 6 years has meant for me. In view of the ever more numerous tragedies happening in so many places right now, it feels almost inappropriate to be writing about this now, but I will proceed, as I think that music does have a role in curing our wounds, even if it may not stop war and wrongdoings.
I started playing live as Colleen more than 20 years ago and as of today have played exactly 240 shows: I had never experienced something like what I felt when I started playing the first song from my new album at @publicrecordsnyc , and I would rank this particular moment among the 5 most powerful things I’ve ever experienced.
Seeing that my music has always felt incredibly intimate and personal to me, but that the whole point of playing shows is to connect with my audience as people in a physical space, and that I nearly gave up on this in 2021, this show (and the whole tour, brief as it was) was more than I could ever have hoped for to cement my renewed commitment to live playing.
I was lucky enough to play 5 days before the flooding. I knew that the sound system and the room at Public Records are famous and I did have expectations, but nothing could have prepared me for this sensory experience. I would say it was the perfect combination of crowd, crew, instrumentation and sound: you were all in there packed like sardines, completely silent during the songs even though there is a bar (I distinctly remember the faint sound of ice cubes clicking against each other once in a while), and because the stage is so low and you were so close it felt incredibly intimate, almost as if we were all miraculously standing in my small studio in Barcelona, except the sound was so, so powerful that I could feel my internal organs trembling as I started playing. 

Thank you so much to all of you for being part of a moment that I will forever cherish, special thanks @francisscissor ,Chris @octavedowner on sound and all @publicrecordsnyc
🙏🙏🙏📷 @kamuter.world @mercymercymoi @maevesupilowski @mira_moore @eyehall @princed @lulusoni

EUROPEAN TOUR 2023 + NEW DATES 2024 – more dates to be added in 2024

14 10 The White Hotel / The Beauty Witch – MANCHESTER, UK – with Marlene Ribeiro

15 10 Kings Place – LONDON, UK – 6 pm – Luminate festival (individual tickets for my show)

19 10 Meet Factory – PRAGUE, CZ

20 10 Silent Green – BERLIN, DE

POSTPONED TO SPRING 2024: 10 11 BRUSSELS, BE 

05 11 Ekko Festival / Slettebakken Kirke – BERGEN, NO

11 11 Le Guess Who – UTRECHT, NL

14 12 L’Auditori / L’Afluent – BARCELONA, ES

16 12 Galeria Ze Dos Bois – LISBOA, PT

2024 DATES

19-23 03 Tremor -SAÕ MIGUEL, AZORES, PT

21-24 03 Big Ears – KNOXVILLE, TN, USA