colleen

I have been absent from this space for a long time, and just wanted to send you a tiny hello – after 8 weeks in confinement, including 7 weeks of hardcore confinement (not allowed to go out for exercise or a walk, just for shopping for necessities), it feels good to be back in touch.

The most observant among you will immediately see that this is not the home studio space I had introduced you to last year, and indeed, I swapped places with the other bedroom in the flat not so long after that post: long story short, the lack of light and view really made me feel down and too cut off from the world in that other room at the back of the flat, and the light and patio view in this much brighter room have solved the problem. It is however *really* tiny (around 7 square metres – 75 square feet), but it’s funny how once you’ve downsized once (from 40 sq m to 14 sq m), downsizing the second time feels almost natural. This ultracompact space actually works just fine for the type of music I’m working on right now, and the workflow really couldn’t be smoother: I just swivel my chair and there you go, from recording to listening and mixing in a second!

The other thing you may have noticed is the presence of a glorious Roland Space Echo RE-201, supplied to me by the great people at Soundgas (who also supplied the Elka Drummer One just below it), and on top of those two pieces of gear now sleeps one of two new additions to the house, a red and cream giant named Sol. You could almost say he is part of the setup now as he does love that one spot very much. I initially tried to prevent him from climbing all over my gear,  and I was definitely not amused when he climbed on top of the Space Echo for the first time (and freaked out when I switched it on and he heard the tape running),  but if I leave the studio open – and really, I did not adopt two cats to close my door on them – then there is just no way to actually prevent him, so instead, I’m developing strategies to encourage the path of least destruction: in this case I’m trying to teach him to jump to the one small spot to the right of the MIDIMuRF where there is no gear, and to jump from there to the Space Echo – it’s actually worked a couple of times, so hopefully this will become an ingrained habit at some point!

I will hopefully be back in the coming months to give you updates on how work on the new album is coming – it’s slowly but surely getting there, and I’m hoping to have it out next year. Given the current circumstances, I’ll be grateful just for that in the first place – to actually have it released somehow into the wider world.

As always thank you for reading and listening, and it goes without saying but I will say it: I hope all those of you reading these lines and your loved ones are doing ok.

On 20^th October 2017 Thrill Jockey Records released my sixth album A flame my love, a frequency, and I’m so happy to let you know that to celebrate this second anniversary, the session I recorded at the Moog Soundlab in Asheville, North Carolina, in fall 2017,  is now available in lossless quality as a free/pay-as-you-wish download on my Bandcamp! I had a blast playing in the Moog Soundlab and visiting the Moog Music Inc factory, and while I’m one for keeping my discography pretty compact, I do feel this is a very good document of how being on the road can lead you deeper into the world of sound via the discovery of new instruments – in this case right in the place where the instruments are made!

Moog originally put the recordings on their Soundcloud and website in August 2018 to mark the end of the production of the Moogerfooger line of products, but you can now head over here to listen and download the EP, which comes with accompanying pdf, photos from the session and my visit, and hi-res artwork by the always great Iker Spozio.

A sincere and deep thank you to everyone at Moog Music Inc and the Moog Soundlab for their time, generosity, the impeccable quality of the products they make, and their support for my music!

I have voluntarily restricted the number of shows I do, so my show in Milan at Fondazione Prada this week September 27th as part of Craig Richard’s “I want to like you but I find it difficult” series is a rare occasion to catch me live this year, and possibly the next couple of years.

I also wanted to share with you the following picture, showing Iker Spozio’s original painting that served as the basis for his design for my last album A flame my love, a frequency, at home with the 3 colored vinyl that have so far been produced: clear, white and blue (the last two being still available). It’s hard to believe the album will be 2 years old next month!

As always thanks for your support :-)

So here goes, a short video (apologies for the definitely non-professional quality!) showing you where I’ve been making music for the past few weeks, and the instruments I’ll be using for my seventh album! I will let the video do the talking (by the way, the studio is at the back of the FLAT where I live – I don’t know why I totally ate up that word!!! 😉), and if you are wondering why I’m back in a home studio setup then I invite you to read the 4 previous posts I wrote in this series! Thank you to Moog Music for the stellar instruments and to Soundgas for their help with the Elka Drummer One! I will go quiet again for some time as obviously I now need and want to make progress on the album, which I’m hoping to get ready for release in 2020. As always thanks so much for reading and listening!